![]() How many new plugins are you working on at any one time, for instance? Both are very important to us." Tell us a little about your development process. ![]() In the future, we're aiming to further expand our Pro range while also keeping our creative line up-to-date. "It's not that we only focus on this - we just released Saturn a year ago - but we'd like to offer a FabFilter plugin for all major production/recording tasks. ![]() Our goal is to improve your workflow, making it a pleasure to work with our products." From the beginning, we've been trying to break out of that way of thinking and create new ways of interacting with software. "Traditionally, plugin interfaces have been a recreation of analogue hardware. What would you say makes a great interface? Having two F's in the name was a bonus as both our names start with an F." FabFilter is known for innovative graphical interfaces. "As far as the name is concerned: we liked the sound of it and we were proud of the filter algorithm we developed for FabFilter One. This is still our main goal, but as our plugins have become more complex, we're also focusing more and more on next-level user interfaces with good design and workflow. "We started out in 2002 with the goal of creating great-sounding synthesisers and effects, releasing FabFilter One as our first plugin in 2004. With a stonking sound and incredible flexibility, Volcano 2 is a must for anyone seeking a characterful all-in-one filter solution.When and how did FabFilter get started? What was your original goal? Thankfully, with FabFilter's famously tasty filter algorithms under the hood, the sound is as slick as the graphics, and the broad range of options only sweetens the deal. ![]() Overall, Volcano's interface works beautifully, making it a snap to create anything from simple roll-offs to complex rhythmic effects and textures. Similarly, overdriving the filters can create distortion, and the envelope follower can be used to achieve compression. For example, every filter has a Delay setting ranging from 0-50ms - by modulating this, chorus and flanging can be achieved. Each modulator can be routed to one or more parameters by dragging and dropping, and each connection has its own slot in which you can manage the source, destination and polarity of the modulation.īy applying a little know-how (or using the supplied presets), you can also go far beyond the usual resonant filter sweeps. XLFOs can have up to 16 steps, with global and per-step glide settings, and each step can use a Sine, Linear or one of two Square curves.Īll this offers much more control than the original's LFOs, which couldn't manage a sine LFO. Volcano 2 displays the modulators on a scrolling panel, and it's possible to have up to six envelope generators, four envelope followers and six LFOs - or as Volcano 2 calls them, XLFOs. However, rather than being given a fixed number of modulators, you can add or remove them as you see fit. The host-syncable modulation system is superficially similar to that of FabFilter's Twin synth. The filters can be linked so that adjusting or modulating the cutoff frequency or resonance of one affects any others it's linked to - useful when creating stereo effects. The last of these modes is pretty unusual for a filter plug-in, providing great potential for stereo image manipulation.
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